With this lens you get great sharpness, reasonable levels of distortion, and a high quality “L” series build that Canon is known for. In this category we like the 16-35mm f/4 best, which isn’t as strong in low light as the uber-expensive f/2.8 III below but comparable on most other fronts. What we like: Lighter and considerably less expensive than the 16-35mm f/2.8 below.įor those who spend a lot of time outdoors, a quality wide-angle zoom can open up a world of possibilities. If not, the Sigma 50mm f/1.4 Art and Canon 50mm f/1.4 are viable alternatives for less. If you frequently shoot portraits and plan on having a 50mm on your camera a good chunk of the time, the cost of this lens is worth it. You can save with various f/1.4 versions and the Canon 50mm f/1.8 below is only $125, but the step down in image and build quality is pretty substantial across the board. The downsides of the Canon 50mm f/1.2 are clear: a very high price tag for a prime lens along with a relatively high weight. If you specialize in people photos and want the best in terms of image quality, this 50mm f/1.2 should not disappoint. With this lens you get superb low light performance, bokeh, depth of field, and sharpness. Expensive, yes, but the Canon 50mm f/1.2 is the premier portrait option for high-end DSLRs including the 5D Mark IV and 5DS R. Sometimes the world is a far better place through an f/1.2 lens. What we don’t: Very pricey for a prime lens. What we like: Incredible depth of field and sharpness. For indoor and nighttime photos, which are common with this type of lens, the upgrade in image quality is well worth the price. We don’t always go this route-see the 16-35mm and 70-200mm below-but this is one of Canon’s premier lenses and the f/2.8 maximum aperture gives you the low light performance, bokeh, and depth of field that you just won’t get from the f/4. In terms of options at this popular focal length range, we heartily recommend the pricier f/2.8 over the f/4 version. And with impressive sharpness and optical performance throughout, many people find that once they put the Canon 24-70mm f/2.8 on their camera, there aren’t a whole of lot situations where it needs to come off. This Canon EF lens pretty much does it all: it’s wide enough for landscape photography yet covers a healthy focal length range for portraits and travel. The 24-70mm f/2.8 is the quintessential all-purpose lens for professionals and enthusiasts who want premium image quality and versatility. What we like: Superb image quality and versatility. For more information, see our Canon EF lens comparison table and lens buying advice below the picks. Canon’s lens offerings are immense-not to mention the third-party models from brands like Sigma and Tokina-but there are plenty of excellent options across the price spectrum. You’ll find a wide range of options on this list including zooms and primes from wide angle and portrait to telephoto. To help you wade through the masses of Canon EF (full frame) lens models, we’ve picked our ten favorites below along with seven that just missed the cut. Buying a Canon full-frame DSLR is a very exciting prospect, but deciding on the right EF-format lenses can be downright challenging.
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